MONEY MONEY MONEY
When John D. Rockefeller was asked
"How much money is enough?"
he replied, "A little more"
It all comes down to M O N E Y. It
always has. No matter how innovative, original, useful, or unusual your
product, your service, or your idea may be - without adequate capital you’re
not going anywhere on the fast-paced, ever-expanding, and increasingly competitive
electronic direct marketing arena.
Over the years, FMS Direct has engineered numerous direct response campaigns
that took companies literally from start-up to more than $10 million dollars
in sales, and in each case, we had all the critical elements in place – we
were marketing an outstanding product or service, had a strong marketing plan
mapped out–AND the necessary capital to execute our plan with confidence! Add
a receptive, hungry marketplace, and that was our recipe for success.
CAPITAL FORMATION
Two words of caution - UNDER CAPITALIZATION. Don’t undertake
a DRTV campaign under capitalized or you’ll fail. You can take that
warning to the bank. It is impossible and frankly foolish to launch
a carefully developed marketing strategy without enough capital to see it
through. Any credible, experienced, and trustworthy DRTV professional you
consult with in the development of your marketing plans will tell you this. If
they don’t, run for the hills.
Now, some words of encouragement – FMS CAN HELP YOU! To request
a complimentary product evaluation and projected cash flow analysis, you many
contact FMS Direct at (818) 708-7814.
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Our office will review with you your product or service, its market viability,
price point, cost of goods sold, potential upsell products available, etc. If
we do not feel your product or service is well-positioned to reap profits
from a direct response campaign, we will advise you accordingly. We
have helped many a potential client save considerable frustration and money
through helping them honestly evaluate their product and the marketplace.
In some cases, for products and services that qualify, FMS Direct will significantly
reduce its upfront marketing, advertising, and production fees in exchange
for a participating in a percentage gross sales. This is FMS Direct’s
Risk Transference Marketing Program whereby FMS compensation is based upon
sales. For more information regarding this Risk Transference Marketing
Program, contact FMS Direct at (818) 708-7814.
Pre-Production/Market Strategy
Let me begin by advising you that you must budget at least six months to
develop a thorough and comprehensive Marketing Strategy. Investment
in the crucial development phase begins with securing the services of a professional
DRTV production team. This first step is key to your success. Every
move you make in the direct response marketing arena must be in close consultation
with someone who has already been there. Your product or service may be a
pioneering effort but if you plan to pioneer the DRTV campaign trail without
a skilled professional guide, pray for a miracle because you’ll need
several.
Remember the Marketing Wheel that we discussed in the chapter on developing
your marketing plan? The number of spokes in your wheel, that is the
number of marketing strategies you are able to develop will determine the
amount of money you will need to roll out your product to its greatest potential
success.
In determining your over-all capital needs the formula is straightforward. Test
market as many of the spokes in your wheel as possible and have a minimum
of twice the test amount in reserve for each spoke to do a gradual total market
roll out.
Production Cost
How much money do you need for production? It all depends on your product. According
to Response TV Magazine, the average “low end” production budget
is approximately was $150,000 and the average “high-end” production
budget was $691,000. The overall average was about $220,000.00. Budgets
are determined by your product and your category. For example if you’ve
developed and are planning to market a product that you know will revolutionize
the skin care and cosmetic industry you’re going to be direct marketing
on a very competitive playing field. There’s tremendous profit
potential in cosmetics. We all know the success stories that have come
out of this field but believe me that success did not come cheap. Your
spots and infomercial will be up against a number of other major players and
it’s against this competition that you will be measured. Plan
on at least $250,000-$500,000 for production alone.
Now let’s say you’ve designed a new type of scissors or perhaps
you’ve developed a totally new kitchen appliance that every homemaker
is going to want. In this case your product is ideally suited to what
I call the demomercial approach. The demomercial/infomercial is very
cost effective for products who’s utility is easily demonstrated and
readily recognizable. Like the original Ginzu Knives, the Super Mop and the
Table-Mate (FMS Direct Infomercial) these are products that almost sell themselves. If
you have such a product it may be possible to create highly effective DRTV
vehicles for around $150,000.
Media Time
Remember this figure – Two-for-One. This is the benchmark sales
to media cost ratio that you should desire. It is the ratio of your
success! You have a guaranteed success on your hands when every dollar
invested in your media campaign generates two dollars in return. I’ve
been there many times when this happens and believe me it’s a great
feeling. It’s even better when it’s a 3 : 1 ratio
or better.
Direct Response Television Advertising is an expensive proposition. This
is because it is a singularly effective way to reach your customer. There
is nothing else like it. Plus DRTV campaigns results are instantaneous
and continuously measurable. In DRTV you never stop testing. You test
your message, you test your market, you revise and go with your strengths
increasing your efforts in the markets where your infomercial and DRTV spots
are achieving success while cutting your loses where the return is less than
acceptable.
Most initial minimum media buy tests range from $25,000 to $40,000. As
the test unfolds the campaign must be capable of quickly moving into expansion. Contingency
capital requirements to achieve the type of success potential dictated by
a good initial media test range from $50,000 to $250,000.
Very successful media programs that show indications of mega-hit potential
must be able to ramp up rapidly (expanding and airing on a repeat basis in
all television markets) and can easily require a media roll-out reserve of
at least $1,000,000. A lot of money in anyone’s book, but worth every
dollar invested.
Collateral Expenses
To achieve maximum dollar potential the successful electronic media campaign
must be married to creative collateral and cross promotional efforts. These
include direct mail, direct video; inquire brochures, credit card inserts,
radio advertising, public relations activities, etc. The initial minimum
creative investment in the collateral and cross promotional campaign materials
can range from $25,000-$50,000 or more. In addition funds ranging from
$20,000 on up need to be available to test the direct collateral campaign.
Here are the actual budget totals that were allocated to launch a recent
product. Use these categories to determine the minimum amount of capital
it will require to launch your product.
$$$
195,000 Pre-production
and Production
25,000 Media
Test
50,000 Contingency
25,000 Creative
cost for collateral pieces
10,000 Media
Test (collateral)
5,000 Telemarketing
start up
10,000 Legal
and accounting
320,000 Total
cost
The Celebrity Driver
There is no question that celebrities sell. QVC and The Home Shopping
Channel do phenomenal business when a major personality from television or
motion pictures acts as the spokesperson. But that doesn’t necessarily
mean that your product requires celebrity involvement to succeed. In
fact some approaches work better and appear more credible to the potential
consumer without star endorsement.
Take for example the tremendously successful infomercial campaigns launched
under the “Amazing Discoveries” umbrella, created by my good friend
Pam Daily. The show format is so interesting and innovative that the
products and the entertaining host (Mike Levy) become the stars. Susan
Powter, a virtual unknown before doing her “Stop The Insanity” weight
loss program reached celebrity status within 12 months of her first Infomercial.
Star power works when the celebrity spokesperson or endorsement is perceived
as genuine and is directly connected in some way to the product they are speaking
about. Jane Fonda’s Workout Tapes, Suzanne Somers and The Thigh
Master, Victoria Principal’s skin care regime, Tony Robbins and the
long line of sports and entertainment personalities involved in his powerful
self realization programs are a few good examples of successfully connected
celebrity sales campaigns. In every case the celebrity is seen as passionately
involved in the product. They’re speaking to us not because they
are stars but because they really believe in the product.
If your product meets the criteria of being naturally associated with a celebrity
personality then serious consideration of celebrity involvement is merited. The
only other reason to consider a celebrity is that “Stars” have
proven to stop the channel surfers. However, beware that just because
a viewer tunes in to your long form commercial, it doesn’t mean they
will buy. The celebrity needs to add more impact to the program than
a “channel stopper.” Again, a celebrity needs to be passionately
connected to the product in order to maximize their effectiveness.
What’s does its cost for a name? First of all they all demand
and most receive a royalty or equity participation of some kind. This
is in addition to a performer’s fee that can range from $10,000 for
a local talent all the way up to $250,000 and higher for a major star.
Often the amount of up front cash needed to secure a top talent can be reduced
through a creative back end gross participation agreement or stockholders
equity agreement. If a celebrity is ideal for your product for the long-term
success of a comprehensive advertising and marketing program, by all means
consider giving the Star talent a percentage of the company. In this
case the celebrity becomes a partner with a real stake in the overall success
of your project.
Money Is Not The Root Of All Evil. The Lack Of Money Is.
Like any other business it takes money to make money in the DRTV business. Securing
adequate capital to move your product onto the information super highway is
the single biggest challenge you will face. Sourcing resources usually
breaks down into these primary areas:
Private Individuals. It’s a great advantage
to have a rich uncle. If you think I’m kidding, think again. Many
of the most successful products ever launched have been funded by the founder’s
relatives, close friends or associates. In fact private investors account
for the majority of the funds used to launch new products. Private Placement
Memorandums for the company can be developed by the help of professionals
that can also raise capital from qualified and suitable investors. If
the product or the company has a good track record, money will be interested
in it.
Venture Capitalist and Investment Bankers. These professional
business gamblers fund a wide array of products and services. However
they usually only consider products that show very large and very fast profit
potential. They are typically looking for products that show a strong
likelihood of going public in very short time spans. They also like
to invest in companies that have a solid track record. Very often the
venture capitalist or investment banker becomes an equal or controlling partner
in return for their funding. Nothing ventured however means nothing
gained.
Strategic Alliances. This is a unique partnership
between you and key players such as production and marketing companies. It’s
a mutually beneficial relationship where the cost of the campaign is greatly
reduced in return for a profit sharing or royalty position.
Forming a strategic alliance with a production partner is a uniquely valuable
way to off-set capital investment requirements. For example a strategic
alliance partnership with a production company defers the direct expense of
producing your DRTV spots or infomercial in return for a share of the profits. This
risk transference on a shared return basis might include the offering of stock
ownership in your company, or a royalty/commission return to cover the direct
costs deferments plus lucrative profit incentives.
Limited Partnerships and Limited Liability Corporations.
These pools of investment capital are sometimes formed by companies who bring
in capital funding from smaller investors. The partnership terms usually
provide for a substantial royalty or ownership interest before the promoter
receives his share. Raising limited partnership capital is a legally
complex approach due to securities regulations but can be rewarding if the
product offers high returns and only moderate risk. Small investors
who lose money can be difficult to deal with and the limited partnership itself
has to be managed as a separate company by the general partner who is liable
for the partnership's obligations.
Initial Public Offerings and Public Companies. Occasionally
significant money can be raised through the development of IPO’s, or
in some cases secondary issues from existing public companies. Not long
ago FMS Direct was involved in one such offering that raised the $500,000
needed to fund the direct marketing campaign. This offering launched
a program that led to $14,000,000 in sales the first year alone!. The
stock value went from its original value of 13 cents per share to $3.50 per
share in just six months. Obviously, public entities offer unique ways
to raise additional capital and should be considered under the right circumstances. It
might behoove you to search out existing public companies that offer similar
product or services.
“Call Now 1-800 - How to Profit from Direct Response Television
Advertising” Copyright 2006 Rodney H. Buchser
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